Vesuvio Solo, one of Montreal’s most exciting new projects, gets the remix treatment from Waterfront Property, who recently joined the ever-expanding Banko Gotiti family. He gives a decidedly more LCD Soundsystem/electro take on the poppy soul of Vesuvio Solo on this remix, and throws in some excellent guest vocals from Marlene Brando.
Montreal songwriter James Irwin thoroughly charmed us with his recent single “Everything Passed Me By,” and we’ve been eagerly awaiting the next single from his forthcoming album Unreal. And here it be! “Face Value” does not disappoint, another relaxed yet sombre song, seems like this record will be autumnal to the max.
As an added treat, the track’s been remixed by the brilliant L Ron of Holobody. Also essential listening!
Neat remix here from the ever delightful Montreal weirdo Flist of his labelmate Hua Li. Both acts are releasing EPs in the coming months on Art Not Love Records, and this momentary collaboration bodes well, with Flist bringing his signature creep to Li’s bizarro R&B stylings. Long live the weirdzzzzzz.
Summer is in full swing so we thought we’d suggest some East Coast electro vibes for your summer playlist. What better way to cool down on a hot day than with a double shot of East Coast chill with this Whale Skin remix of Vogue Dots‘ awesome song “Skinny Thing.” Click here for our post about Vogue Dots’ original single as well as our here for our POBA review of their beautiful TOSCA EP.
Also be on the lookout for the summer line of Whale Skin lip glosses that will be available for sale at upcoming Whale Skin shows.
Regular readers know we have a penchant for posting all things Beta Frontiers and all things Weaves. Well today, we get an idea of what an amalgam band (Beta Waves or Beta Weaves?) would sound like, as our favourite Toronto electronic producer gets to slather his magic all over Weaves’ now-classic-seeming “Motorcycle”. It’s now got his characteristic shimmery, summery bounce. Probably good cycling music! From the Weaves Remixed EP, featuring remixes by our faves J FM, Babe Rainbow, Thomas and more, out now on Buzz Records.
Weaves is performing a special one-time-only theatrical collaboration with Allison Cummings entitled “Weaves Through Time” on August 10 in Toronto, part of the Summerworks Music Series curated by Silent Shout.
Kira May might still be a relative newcomer to the Toronto electronic scene, but her loop-based compositions and performances have been attracting attention from all corners, and we were not immune. So we’re ever-so-pleased to get to premiere this Delta Will remix of “Visions,” the closing track from her excellent January EP HEALTH. Delta Will take the meditative and languid original into a much more uptempo direction, chopping up Kira’s many vocal samples and turning it into a slightly-frantic, but still grooving, head-bopper of a track.
If you’re in Toronto, Kira May opens for Nat Baldwin (of Dirty Projectors) and Black Walls this Thursday at Wavelength at the Monarch Tavern, which seems like a show well worth seeing indeed.
We’re shuddering with anticipation for the release of the debut album from Montreal favourite Mozart’s Sister (next month!!), but until then we’ll be listening to her excellent remix of Trust‘s “Rescue, Mister“. She replaced the thumping bass with a hectic collection of top-end sounds, but the real power of this is the updated vocals, a combination of both artists’ voices.
Most People have entered the remix game! One of Toronto’s best bands have taken this track from Guelph’s Adverteyes and moulded it into a new beast by doubling the length, removing the vocals, and demonstrating some fantastic production skills. The song can be found on Adverteye’s new remix album, which also features contributions from other Toronto luminaries Del Bel and Fresh Snow.
Ah, how could we not love this? Tarantula X blew our minds earlier this year with an amazing remix of Trust’s “Rescue Me, Mister”, and now he’s taken on perennial favourites Prince Innocence. He’s brought the brilliant original to the dancefloor, where this remix seems destined to be a smash.
Both the original and remix available on a new 7″ from Pretty Pretty Records.
Each producer offers a distinguished interpretation that bridges yesteryear’s futurism with the present: Boundary sets slow, spacious synth lines against a hypnotic loop concocted from the original; Elaquent situates Le Caine’s pitched water droplets amid a deep kick and intricately skewed hi-hat rhythms; and, to haunting effect, Sandro Perri draws upon musique concrète gestures and a ghostly waltz figure.
If you are in Toronto, we strongly encourage you to attend the 100th anniversary celebration of Hugh Le Caine, May 30, at the Music Gallery. In the interim, stream this incredible set of Le Caine remixes exclusively at Centrediscs.