Violence

#13: Violence – Le théâtre

It’s a pleasant surprise to hear a band like Violence manage to stay equally fantastic while trying out different sounds on each of their records. Le théâtre, the band’s third official release, isn’t a huge departure in style–they still make darkness-infused synth-pop–but they have gone in more instrumental direction, with smatterings of distant, almost whispered vocals. The EP is defined by quick forward motion, call-and-response between different synth tones and some seriously infectious melodies.

Le théâtre is out now physically on Visage Musique or from the band’s Bandcamp.

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Mix: Best of September 2015


Mix: Best of September 2015

1. Tops – Anything
2. Quinn Read-Baxter – Without You
3. Ben Gunning – Live in Love
4. Brendan Philip – Ghostface
5. Gang Signs – Mate
6. Mesa Luna – Don’t Let Go
7. Century Palm – Valley Cyan
8. Scary Bear Soundtrack – Victoria Island
9. Violence – Illusions Vives
10. Cocobeurre – Golden Youth
11. Joanne Pollock – Might Be Wrong
12. L Con – The Distance Of The Moon
13. Majical Cloudz – Silver Car Crash

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New Release: Violence – Le théâtre

violence

It’s here! We break out our happy dances every time we get our hands on something new from Violence. No surprises here: their new EP is excellent. (Or maybe it is a surprise to hear a band manage to stay equally fantastic while trying out different sounds on each of their releases?)

We’ve already shared our love of the first two singles on this EP (“L’invention du divertissement” and “Shaking Pictograms“), and they slot right in with the rest of the adventurous, slick songs on the EP.

There’s a lot of mostly instrumental songs to get lost in, like the decidedly space-y “Héliogabale” or “Gap Junctions,” which brings back memories of high school biology (gap junctions are the passageways between animal cells that transport things back and forth). Actually, the latter could work really well as the soundtrack for colourful and crazy science animations.

And then there’s “Mycroft Mixeudeim,” which has distant vocals that sound like they’re coming from a low-volume megaphone, a great synth jab and the same style that defines the rest of the EP: quick forward motion, call-and-response between different synth tones and some seriously infectious melodies.

If you’d like to join us in the Violence fan club, the record is out now on Visage Musique, and Montreal fans can catch them live on September 25.

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